Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Eugene Delacroix
Mulay Abd al-Rahman,Sultan of Morocco,Leaving his palace in Meknes,Surrounded by his Guard and his Chief Officers

ID: 40045

Eugene Delacroix Mulay Abd al-Rahman,Sultan of Morocco,Leaving his palace in Meknes,Surrounded by his Guard and his Chief Officers
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Eugene Delacroix Mulay Abd al-Rahman,Sultan of Morocco,Leaving his palace in Meknes,Surrounded by his Guard and his Chief Officers


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Eugene Delacroix

French Romantic Painter, 1798-1863 For 40 years Eugene Delacroix was one of the most prominent and controversial painters in France. Although the intense emotional expressiveness of his work placed the artist squarely in the midst of the general romantic outpouring of European art, he always remained an individual phenomenon and did not create a school. As a personality and as a painter, he was admired by the impressionists, postimpressionists, and symbolists who came after him. Born on April 28, 1798, at Charenton-Saint-Maurice, the son of an important public official, Delacroix grew up in comfortable upper-middle-class circumstances in spite of the troubled times. He received a good classical education at the Lycee Imperial. He entered the studio of Pierre Narcisse Guerin in 1815, where he met Theodore Gericaul  Related Paintings of Eugene Delacroix :. | Michelangelo in his Studio | Arab Sadding His Horse | The Death of Sardanapalus | The Barque of Dante | George Sand-s Garden at Nohant |
Related Artists:
Klimt, Gustav
Austrian Art Nouveau Painter, 1862-1918 Artist Gustav Klimt, like composer Gustav Mahler, philosopher Ludwig Wittgenstein and big-time thinker Sigmund Freud, was a hotshot of Vienna's glory days as it ushered in the 20th century. Influenced by Impressionism, Symbolism and Art Nouveau, Klimt founded the Vienna Secession (1898), an avant-garde art movement that included a broad base of artisans and craftsmen as well as painters. Klimt himself was known more for elaborate graphic schemes than "painterly" work -- his most famous piece, The Kiss (1908), shows his distinctive gold-encrusted decorations over a semi-realistic portrait of an embracing couple. He used the framework of myth and allegory and he painted women, in ornate portraits and erotic exposures that were scandalous by Victorian-era standards. He also had time for more than painting -- after his death he was credited with as many as 14 illegitimate children. A big influence on the decorative arts in Austria, his most famous paintings include Salome
Roelant Savery
Flemish Northern Renaissance Painter, 1576-1639 . was a Flanders-born Dutch baroque painter of the Golden Age. Like so many other artists, Savery's Anabaptist family fled North from the Spanish occupied Southern Netherlands when Roelant was about 4 years old and settled in Haarlem around 1585. He was taught painting by his older brother Jacob Savery (c.1565-1603) and Hans Bol. After his schooling, Savery traveled to Prague around 1604, where he became court painter of the Emperors Rudolf II (1552-1612) and Mathias (1557-1619), who had made their court a center of mannerist art. Between 1606-1608 he traveled to Tyrol to study plants. Gillis d'Hondecoeter became his pupil.[3] Before 1616 Savery moved back to Amsterdam, and lived in the Sint Antoniesbreestraat. In 1618 he settled in Utrecht, where he joined the artist's guild a year later. His nephew Hans would become his most important assistant. In 1621 Savery bought a large house on the Boterstraat in Utrecht. The house had a large garden with flowers and plants, where a number of fellow painters, like Adam Willaerts were frequent visitors. Savery had kept his house in Amsterdam, and had one child baptized in Nieuwe Kerk (Amsterdam).[4] Savery was friends with still life painters like Balthasar van der Ast and Ambrosius Bosschaert. In the 1620s he was one of the most successful painters in Utrecht, but later his life got troubled, perhaps because of heavy drinking. Though he would have pupils until the late 1630s
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